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Kismet

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About Kismet

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  1. That's not how it works. When eBay ends a listing, the listing fees are credited back to the person who listed it. If the listing already ended due to a winning bidder/buyer than it's a dispute between the buyer and seller, and if paid by paypal, falls under Paypal's policy. https://www.paypal.com/us/brc/article/presale-policy-and-reserves If they paid the seller by some other means contact the payment provider to say no item was received. If the seller tries it a third time, they are banned from eBay for life. Do not bid on pre-orders, because you may just end up out the money, and do not list pre-orders because you're committing fraud.
  2. I never got an email about the pocket, which is disappointing. I'm still waiting for the NT Mini Noir to be shipped, so it's probably not the best idea to have two expensive projects in limbo.
  3. Clone has the same connotation as "counterfeit", so any kind of Cloned hardware will be seen as inferior, and thus that's why you wouldn't call it that, even if it's technically true, because it's also technically true of inferior counterfeits based on cheap mass-produced parts. For the FPGA consoles, the most logical and safest thing to call them is "Modern (8/16)-bit game console, plays all licensed games like you remember them" As far as amount of error precision one would accept, it's acceptable, in most cases, for minor audio or video glitches that are a direct result of a full digital signal. As a weird example, when I was setting up the HDMI capture (and the capture device wasn't picking up the 1080p signal) I noticed that there's some faint noise in the black area of about 1/3 from left side of the screen that was only picked up because I accidentally did "flood fill"in the paint program's still image of the dark area of it. It's completely unnoticeable otherwise, and if the FPGA is emulating it, it's reason enough to believe that there's a reason for it. The background was flood-filled with RGB:255,0,255 to make it readily apparent. I'm not sure if other games do it, but it was discovered entirely by accident. As far as scanlines go, I know some people want them, but I don't because to me, all the scanlines and scalers look worse than integer scale, and I'd rather have the image aspect-ratio correct on a high resolution screen, and have the result window-boxed than try to make it look like a CRT in any shape. In software emulators, typically the scaler/shader is applied after the game output, and the consequence is that it's trying to do a one-size-fits-all at the cost of 1-2 additional frames of latency on an already laggy render pipeline. You just won't get around that unless you can jettison the operating system, and short of something like retropie building it's own close-to-metal OS for it, a lot of these ARM SoC's are no better than what you can run on a desktop OS.
  4. So after some fiddling around, I found that if I stuck a piece of cardboard (eg cereal box cardboard) down the back of the cartridge slot, with the SD2SNES cart in it makes the sd2snes just snug enough to not wobble. This is a US model SD2SNES. The same issue was had with the Japanese Super Gameboy 2. However, I also found that there is a strange "alarm" sound from Bishojo Senshi Sailor Moon Another Story ( 5F776488E366B6D6B44F6E8A01D9953D ) that happens on the real cart, and the SD2SNES, during both "press start" screens while it plays Moonlight Densetsu. It should sound like below. But sounds like this: https://filebin.net/xssoeh4zoxegxnzr I'm playing through the rest of the game listening for anything else that sounds bad, but haven't encountered anything else yet.
  5. Not to start complaining but I have two issues come up with the SuperNT 1. Firmware 4.9, 1080p (50 and 60) no longer works through the Micomsoft SC-512N1 (FPGA HDMI PCIe 2.0 capture card), it used to. And the strange thing is, the capture card is showing a sync lock at 1080p. 2. Mechanically the cartridge slot is allowing the SD2SNES and Super Gameboy to wobble and it's making it fail. My guess the problem with 1 is that something has changed. Capturing from the card just shows "no signal", meanwhile the monitor attached still works. Unless this is a driver issue with the card, I'm not sure why 720p would work and not 1080p. The current driver is 1.1.0.188.5, 2020.02.03. The problem with 2, is something I mentioned way back at the beginning when I got a defective Super Gameboy, it doesn't fit in the cartridge slot quite right, allowing the edge connector to wobble, easily. This also happens with the SD2SNES, so even moving the SuperNT causes it to lockup.
  6. If anything, the FPGA would have to be the same generation, but that doesn't mean it has to be the same model. So it's probably still a Cyclone V 5CEBA2U15C8N. A2 and A4 have the same pins, and so does A5 with the U BGA. Vs the Super NT 5CEBA4F23C8N. So presumably if they were able to source the exact same FPGA they might have just used the same FPGA again, but if not, there would be some kind of minor redesign to fit a FPGA that is a slightly different model with the same number of pins. With that said, unless they needed to order a certain number of FPGA's to get a bulk discount, it would seem a bit weird to stick a model with more LE in it since the per unit cost still have to be more for a better chip.
  7. There are bugs that happen if the hooks are enabled on a SD2SNES in some games, which also happen on a real SNES, for example Seiken Densetsu 3 will flip out a lot. I haven't run into bugs in FF3 using the real cart, but I haven't sat there and played it through.
  8. The problem I see is that OSS falls into two very broad software camps: GNU-GPL-Stallman, where anything and everything not GPL is evil. This is what some of the MiSTer people sound like. BSD-PublicDomain-Preservation, where the core issue is making the software available perpetually without barriers(eg legacy hardware, operating systems, system exclusives, etc) The world benefits regardless of which camp produces software. The GPL crowd however actively villainize anyone who doesn’t use the GPLv3 license because their goal is to have the source code stay public, regardless of security, investment or other incentives. That tends to work out good for preservation of game engines and software tools, but is antithesis to creative content like game assets and scenario code/script since it means anyone can recompile it, making it impossible to retain control over compatibility and data mining. On the other side, where software and hardware are allowed to have a mix of open (BSD/MIT/PD) and closed code, means there is less effort to get a project to market. But at the same time there are bad actors out there that actively pillage the public domain to sell you things you can get for free if you simply knew how to compile it. Where MiSTer and Analogue come in is that the latter is building a platform of a known quality and lower barrier to entry than even the rubbish counterfeit game consoles and copier devices have ever been able to do. It may feel like sour grapes, but unless people want to pay around $1000 to get the experience of a 30 year old hardware it’s unlikely that FPGAs will come down in price short of Intel deciding to build its own FPGA retail platform.
  9. I'm Assuming that the second FPGA is basically "the DAC" if it were compared to the Super NT or Mega SG. So it might be invoked when plugged into the USB-c dock, but not in the same way, since I'd assume that a usb-c dock that Analogue makes would be an actual USB-C dock that happens to support game controllers and the "DAC" analog output. Typical USB-C docks used in the enterprise are either powered or unpowered, and have 2 Displayport (or HDMI/VGA) outputs, 5 USB 3.1 ports, Realtek Audio and Ethernet controllers, analog audio output/input and some have sd-card slots. Don't be fooled though, there are THREE kinds of docks. "Displayport" docks, "Displaylink (software GPU)", and Thunderbolt. Thunderbolt docks allow 2 monitors at 4K, standard USB-C DP docks only support two 1080p monitors even if they have 6 ports on them.
  10. Seems to me the logical thing would be to have the "HDMI" part of the DAC report itself to the SNT/MSG/Future-console-here via the EDID and have the FPGA devices output the native output straight to the DAC device. If connected to anything else, then just report the capability based on the NTSC/PAL switch. You shouldn't need an OSSC/XRGBMini with the DAC. But people do strange things in the name of wanting a consistent experience.
  11. The Mega SD goes in the cartridge slot, and similar to the SNES, many of the pins on the expansion connector are also directly on the cartridge bus. Like there is a reason for that, you'd normally have a BIOS/Save memory in the cartridge slot. A game like Shining Force CD can't even be played as intended without a save-game backup cart since the internal SegaCD save memory is not enough for the four games on it.
  12. Well games that use a bulky 3D game engine (eg Unity, Unreal, etc) probably have no control over the input latency. Since the PC is a crapshoot, you can't really design a game around tight input. Game consoles have their own hypervisors that likely introduce their own latency on top of the latency from the controllers. Then you have straight bluetooth controllers which would have an additional level of latency from the bluetooth stack that the straight USB would not have. The input latency wouldn't be that much compared to the render latency that is beyond your control. Some computer screens and television screens have a "game" mode that bypass the color correction, frame interpolation and energy control features (on some TV's this results the picture being brighter, but the colors blown out.) The issue however is that a 60hz panel has a frame buffer so it can do all the SmartTV features so you'll end up with an additional frame of latency so it can do this compositing. If it has to be upscaled to 4K, that's can also be another frame of latency. A 120, 144 or 240fps panel might be able to use it's interpolation feature to do a "freeze and hold" and reduce the latency so instead of 16.7mz sync, it could be down to 8ms or 4ms. But who knows if that's actually what they do. But as far as the game dev's are concerned, they're not going to test every model of TV and computer screen with every console, so if the game is laggy the blame is laid at the TV manufacturer.
  13. The cabinet owner should write up a screen play/film draft and see if he can sell it to anyone.
  14. Well there's multiple angles, but I hold the view that if you didn't make it, and don't have the right to copy it, then you don't get a say in what happens to it. Regardless. option 1, The ROM was stolen somehow. I, J random person on the internet, might seek it out, see if it works in MAME, play it for 10 minutes, and then forget about it. This is what happens to the vast majority of game ROMS, be them EEPROM's or Blueray discs. The collectors collect things, they see the value in having it, bonus if it works. They want to be the person who "has it". option 2, The ROM was RE'd from some existing code. eg someone produced a counterfeit. This is probably not the case since the collector is upset and seems to "know" it came from their cabinet. option 3, The ROM was backedup at some point , years ago, and the leaker IS the collector, and just wants to deflect attention from themselves. Like of the rare arcade things I'd be interested in, the Marble Madness sequel is the one I would probably want to see emulated. So why Akka Arrh and not Marbleman? If a tech really did "steal it" , how did they get enough time to do so? Regardless of the number of chips, how would they have known WHAT the chips were to have the right hardware to dump them? So my money is on the collector is the leaker, and he either had it dumped personally by someone, and then released it himself, or that "someone" who dumped it, kept a backup and released it themselves for whatever reason. The fact that the account connection is 2005 suggests that this could have happened 14 years ago, and the user was just waiting for a reason to. Like here's a wild possibility, what if someone dumped it 14 years ago, created a draft post on the forum, and then never posted it? And whoever posted it was maybe instead had their account hacked? Who knows. I'm kinda of the mind that if you're holding onto something that can reasonably restored, it should be restored, an arcade cabinet still has value regardless of the game it runs, but you're absolutely kidding yourself if you think you have any rights to the game software. For all intents, if Atari wanted to sell it themselves, the only thing stopping them is a finding the original software and a purpose-built emulator.
  15. Of course it's not even close, you're comparing the original hardware with specific output tolerances to a software emulator that has to be tweaked on a per-device basis. The developer certainly doesn't have 1000 different smartTV models laying around to test. This is one of the things that most software emulator dev's don't want to understand. If I, the end user are to use something, it needs to work, out of the box, and if it's to replace an existing device, it needs to meet or exceed the capabilities of the device it replaces. Nothing in Retroarch, except maybe 8-bit systems will ever come close to the original hardware in a software emulator environment. And never so out of the box. It's very likely the configuration is setup "out of the box" to run on a Raspberry Pi which has a fixed HDMI codec on it, rather than on a SmartTV device which is running it through a compositor (eg the TV can add UI layers, or PiP the video.)
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